Abstract
We present a novel photographic technique called dual
photography, which exploits Helmholtz reciprocity to interchange the
lights and cameras in a scene. With a video projector providing
structured illumination, reciprocity permits us to generate pictures from the
viewpoint of the projector, even though no camera was present at
that location. The technique is completely image-based, requiring
no knowledge of scene geometry or surface properties, and by its
nature automatically includes all transport paths, including
shadows, interreflections and caustics. In its simplest form, the
technique can be used to take photographs without a camera; we
demonstrate this by capturing a photograph using a projector
and a photo-resistor. If the photo-resistor is replaced by a
camera, we can produce a 4D dataset that allows for relighting with 2D
incident illumination. Using an array of cameras we
can produce a 6D slice of the 8D reflectance field that allows for
relighting with arbitrary light fields. Since an array of cameras
can operate in parallel without interference, whereas an array of
light sources cannot, dual photography is fundamentally a more
efficient way to capture such a 6D dataset than a
system based on multiple projectors and one camera. As an example, we
show how dual photography can be used to capture and relight scenes.
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(a) Conventional
photograph of a scene, illuminated by a projector
with all its pixels turned on. (b) After measuring the
light transport between the projector and the camera using structured
illumination, our
technique is able to synthesize a photorealistic
image from the point of view of the projector. This
image has the resolution of the projector and is illuminated
by a light source at the position of the camera. The technique
can capture subtle illumination effects such as caustics and self-shadowing.
Note, for example, how the glass bottle in the primal image (a)
appears as the caustic in the dual image (b)
and vice-versa. Because we have determined the complete light transport
between the projector and camera, it is easy to relight
the dual image using a synthetic light source (c) or a light modified by a matte
captured later by the same camera (d).
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